IN CONVERSATION WITH JOHN ALTO
Interview by Samo Šajn
John Alto is making serious waves in the dance music scene as the first artist signed to Alesso’s BodyHi. His debut track Do You Like Bass is already lighting up clubs and festivals, proving he’s got something special. With big names backing him and a passion for creating high-energy music, this is just the beginning for John.
You’re making waves as an emerging artist, and Do You Like Bass is your first solo release under Alesso’s BodyHi imprint. How does it feel to step into the scene with such strong industry backing?
It feels amazing and surreal to be a part of BodyHi and to see all the positive responses so far! It’s an incredible feeling to have Alesso’s support at this stage in my career.
You were the first artist officially signed to Alesso’s BodyHi. Can you tell us about that moment and what it means to you to be part of his vision for the label?
During the initial stages of discussing the idea, I knew this would be an amazing opportunity, something I really wanted to achieve in my career. Working with other artists, especially ones I’ve looked up to for so long, is something that excites me about what I do. I remember the day I found out Alesso liked my music. It was monumental for my career, and I feel so blessed to have this opportunity.
Do You Like Bass is a technically impressive track, designed for live performances. What was your creative approach in making a track that resonates in clubs and festivals worldwide?
I wanted to create a darker, more aggressive style of tech house while still incorporating a strong vocal and a really unique hook that would draw a crowd in. It was important for me to produce something that other DJs could play in their own sets, and DYLB is just that. It’s definitely made its way around clubs and festivals over the past year, and that’s something I’m excited to continue doing with all of my music.
Your sound blends dark, atmospheric elements with heavy basslines and emotional pop. How did you develop this style, and who are some of your biggest influences?
I developed it over roughly 11 years of music production. I’ve done a lot of experimenting to get here, and not all of it was good! I’ve had many inspirations throughout that journey, including dance music legends like Swedish House Mafia, Odd Mob, and Chris Lake. I became really interested in and inspired by this darker, cinematic style of play that still maintains a groovy bassline. Soundscapes that really capture the attention of a crowd and keep them dancing the whole time.
You’ve had the opportunity to perform at major venues and festivals. How have these live experiences shaped your artistry and production style?
I’ve always aspired to play massive shows and festivals, so I put a lot of care into focusing on the crowd’s perspective when producing music for live performances. When I’m in the studio, I try to emphasize the song as a whole rather than fixating on specific aspects. I tend to take a really holistic approach to production. I try not to dwell on one part of a track for too long. This workflow allows me to incorporate sounds that others might not think of, giving me a real advantage in creating something I truly enjoy in a short amount of time. Something I love is watching people’s reactions when I play. Whether it’s in a studio or to a huge crowd, it has become a tool I use when working on new tracks.
Coming from Copenhagen and London and now based in LA, how have these different environments influenced your musical evolution?
During my time in the EU, I definitely noticed a difference in style. When I first entered the scene there, a lot of the music was commercially driven. It felt like everyone was making music for Scandinavian radio, and at first, I followed along with that. But when I came to the States, the sound I was evolving toward, something harder and more experimental, was already massive here. The tech-house genre was exploding in the U.S., and that really inspired me to commit to making the music I truly enjoy.
You made your debut on Martin Garrix’s STMPD RCRDS and now work closely with Alesso. What are some key lessons you’ve learned from working with such influential figures in dance music?
That music doesn’t separate anyone by status or position. Good music is just good music.
With a debut EP on the horizon and exciting collaborations in the works, what can fans expect from your upcoming releases?
I want to dig deeper into the idea of making music for live performances. I’m drawn to that unrelenting energy that hits a bit harder. I really enjoy creating that right now, and I’m excited to continue building my sound around that intensity.
For those just discovering John Alto, how would you describe your music and the experience you want to create for listeners?
My music is a more visual, darker, and cinematic style of electronic music. I like to blend genres and experiment with sounds and drops that others might not think of. I try to create soundscapes that engage and resonate with audiences both live and at home.
