IN CONVERSATION WITH ANFISA LETYAGO

interview by MAREK BARTEK & TIMI LETONJA

‘Feelin’ marks your debut with Sony Music. Can you tell us about the creative process behind this track and what makes it special for you?

 The request from Sony came around one and a half years ago. It was a very particular period of my life because I was looking for new horizons and new inspirations, and this project felt like it came at the perfect moment. I accepted to be part of it, exploring myself artistically again and bringing the best version of myself. It was kind of a challenge for me. I started to work on the concept of the project, and tried to decide which direction to take, always being faithful to my musical background. A combination of studio sessions and inspiration coming from my touring activity led me to the creation of ‘Feelin’. It’s a track with club vibes, a techno groove but at the same time you can hear a trance touch to the song, and of course my own voice as vocal lead.

 

It's exciting that you could also put your voice into such a track. That must be a full on experience when you're doing the whole track yourself.

 Yeah! I usually use my vocals for my productions. I did it in the past, but before I used to pay more attention to the sound design and groove, the vocal was more of an additional element, giving the track that personal touch. In this case, I decided to sing the song. It was a very challenging experience for me, singing was something completely new to me and I had to work a lot not only technically but also on my mindset. But I just wanted to do it, to cross the line and see what would happen. And I did cross that line, that’s when ‘Feelin’ was born.

 

And it's also the whole experience. Calling it ‘Feelin’ while you're really capturing a feeling, it makes sense. Thank you for sharing that. Your new music features a mix of electronic pop and trance, so a variety of genres. What inspired you to experiment with mixing these and how do you balance these genres while maintaining the sound that is uniquely you?

 To be honest, I don't like to play the same genre over and over. I love discovering new music, new styles, new artists and then, of course, I put my house and techno roots in my sets because I grew up artistically in Naples, where groovy techno and house music are deeply felt. If I had to define my set, it is a whole journey through my music research and knowledge  and my experience as a disc selector across the years. Combining different genres keeps my excitement alive when I play or in the studio. 

 

Very true! And it could get boring if it was the opposite, if you were limited to just doing one thing.

 Yeah! I think that is the journey of every electronic music artist and my set is my journey and my experience.

 

Nice. I love that. Since we've already talked about your vocals, I just want to ask additionally, do you think that adding your own vocals to your work has changed the approach to your music production?

 Totally! When I started doing that for the first time, I was just playing in the studio recording my vocals and trying things out and I realised that my voice is very centric to my sound. From then on, my voice has slowly become a very important tool in the studio when I work on my productions. I think you can express everything with your voice. You can express very deep concepts, you can decide what to say, how to say it and how to treat the vocals. It’s another approach to production but over the time, I’ve learned how to use my vocals and how to convey more intensity and emotions through them. It’s super inspiring for an artist to express yourself not only through the instruments, but also through the flow of your voice.

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I love that! I mean, music is definitely something that everyone loves and has a connection to. So we all have our own individual experiences with it, as well. Which leads me to another question, you have something quite exciting coming up — a live audiovisual show called ‘Partenope’. Can you tell us more about how it came to life and what can we expect? 

 I’ve always been drawn to the story of my city. The name of my label NSDA comes from the name of an island Nisida, located near Naples. It inspired me to make my music, to create my label. I was looking for new inspirations and I discovered this story that came from Greek myths. ‘Partenope’ is a myth of a mermaid that came and died on the coast of Naples, becoming the symbol of the city. The most important thing that attracted me about this myth is Partenope being a woman and a symbol of something big like Naples. I was so fascinated and felt a strong connection to this story, so I thought I was meant to do something with it, to make it part of my artist journey. It was the perfect match. 

 I needed a partner to turn my imagination into reality, and that’s when I met Giusy Amoroso – a visual artist originally from Naples, but based in Berlin. When I saw her creations, I just knew she was the perfect artist to work with. As one of the phases of the creative process, I went to Berlin to make a 3D scan of my face and body to create this character, where she basically managed to transform my whole body into real life visuals. Executing an audio visual experience is an ambitious project I strongly wanted to bring to life so that people could completely immerse themselves in my world. 

 I feel very excited about it! The first presentation is going to be this summer at Red Valley Festival, and I am really looking forward to getting to do this experience live. I also worked very hard on the sound design of this show and I am very curious to see people’s reaction. 

 

Awesome. I cannot wait to see that. Where is this festival taking place?

 In Olbia (Sardinia), on 15th August. So you already know it’s going to be really good!

 

As you’ve mentioned, your label NSDA provides a platform for unconventional sounds. What was the driving force behind starting your own label, and what do you hope to bring to the music industry with it?

 I’ve been playing since 2009 before I started to produce music. After many years of experience in the DJ booth, I felt it was the moment to take a step further and approach music production. Nothing came suddenly, I dedicated a lot of my time to producing music and started releasing my first tracks. Slowly I managed to release my music on labels like Intec Digital, Rekids, Kompakt and many others. This experience shaped me as an artist and as a producer.

 After a while, working in the studio and diving deeper into production I learned new tricks and techniques and I felt more independent by discovering new artistic sensations. This led me to do something more intimate and more conceptual, and maybe unconventional for others and I decided to create my own label. NSDA gives me the psychological freedom of affection in the studio and it’s a total expression of myself. And that’s what I’m looking for in the other artists I release on NSDA.

 

Do you get a lot of people submitting their music, or how do you look for the upcoming DJs to work with for your label? 

 Of course, I get a lot of demos, and with my vision I can identify the artists who want to cross the line and go out there to do something different. I just feel it. When I listen to their music, I know immediately when a track is perfect for my label. The most exciting thing about electronic music is that it has a lot of shades and I love discovering artists who strive to explore all the possible nuances, without fear of not fitting the standards of the market.

 

When you were growing up and getting to know music in Naples, what kind of music attracted you to electronic music in the first place? 

 My first experiences with electronic music started as a teenager. I remember I went to a rave on the beach to listen to a Neapolitan DJ who was playing proper techno and I was really blown away. I was so fascinated by the role of the DJ and by the vibes created through the sound system, this experience resonated with me and pushed me to become a clubber.

 My first experience as a DJ was in a very, very small underground club in the old centre of Naples called Le Garçon. Upstairs, it was a very stylish, cool bar and downstairs it was like a cave. It was only for 150 people, with a very dark but vibey environment which made me feel comfortable to play there. It had totally different vibes compared to today, it was 2009 and nobody was using their phones, social media wasn’t as prevalent as it is today, people going to clubs wanted to live a music experience at its fullest. I ended up having a residency there. That was an amazing experience and I will always remember it.

 

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I love hearing these stories. I'm going to go back again to something we kind of already talked about — the mermaid and Naples. Your music often reflects your love of nature and the sea. How does your environment in Naples influence your sound and artistic vision? Would you add anything on top of what we've spoken about? 

 Both my house and my home studio are on the beach and when I produce music I can look through my windows and enjoy the amazing landscape of the Gulf of Naples, with Vesuvio in the background. This view is a source of inspiration and freedom for my mind and soul. I just love to watch the sea and the islands. It gives me the right vibes to create my projects. 

A place like this is the perfect environment for every artist. When you feel empty and you need to recharge, organise your ideas, it’s enough to just breathe deeply while enjoying the sea view and listening to the waves.

 

I totally get that. It’s really important to have your happy place, somewhere that’s special for you as a person but also as an artist. I'm going to turn it up a bit into different types of music experiences. You've mentioned your interest in record collecting and discovering new music, of course.  What are some of the records you’ve collected over the years that shaped your DJ sets and productions, and how? 

 My record collection is big enough and it has a lot of minimal vinyls, techno vinyls, house and many others. My friend Gaetano Parisio gave me a lot of vinyls produced by him. I have a lot of classics, such as ‘Lady’ by Modjo or ‘Missing’ by Everything but the Girl and Todd Terry with all the edits and remixes. Then I have trance music classics such as Energy 52, old 90’s trance classics. Of course, Moby’s vinyls can’t be missed from my collection. Honestly, I don’t remember all of them. They're so different and, of course, some of those styles influenced my music and my DJ path. 

 

You've worked with, as you also kind of mentioned, a lot of big artists like Carl Cox or Moby. Can you tell us about these collaborations and how have they influenced you?

 My first meeting with Carl was so unpredictable and spontaneous. I was still a young producer and I had the opportunity to give him some of my music and have his support big time. I released two EPs on Intec Digital and it helped my artistic path a lot. But first of all, I love him because he's such a nice and friendly person with great energy.

With Moby, it was actually a funny story because before the collaboration, I did a remix for him. I was listening to ‘Go’ from 1991, and I recorded a video of myself and shared it on social media. After I posted the video, I got a request from Moby to do a remix for the song. It was truly unbelievable. It’s one of my favourite records of all time, so it was super unexpected and inspiring. Never say never because life can be very surprising.

After almost two years, we came together again for a collaboration. Working with Richard was a huge challenge. He is an iconic artist and this experience took the best out of me. ‘You and Me’ has a totally different vibe from the music I used to produce but I was open to cross my own boundaries and learn something new from Richard. The result was a super romantic and catchy track, we both loved it. 

 

I’ve seen you play many times in the Netherlands, where you're quite often at festivals like Awakenings, LoveLand or 909. You have some gigs coming up in the Netherlands again, including LoveLand. What can we expect, and do you like performing in the Netherlands? How's the crowd? 

 The crowd is unique. Dutch people truly love and feel electronic music in their bones. Something I noticed on the dance floors at the festivals in the Netherlands is that you can see all generations and all identities come together and just enjoy music. I really love Awakenings, 909 Festival and LoveLand, they are leading festivals in the Dutch scene and it’s always a big pleasure to play there. The crowd is just amazing, people really love dancing there. 

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I agree I'm more the raver, not the DJ but I love festivals in the Netherlands and Belgium, too. I go to so many that I can really see the difference between the festivals in the Netherlands and those abroad. Moving on, I’d love to hear your opinion on this: the techno scene is still very male dominated. What has it been like for you as a female producer and DJ making your way? Do you think that it has changed over the years? 

Seeing lineups with a lot of female DJs brings me huge satisfaction because it’s incredibly important that women finally have carved out their place in the scene. There is still a lot to do to reach real equality, but it does feel like we are on the right path.

I remember when I did my first masterclass in Barcelona alongside Chris Liebing and Hannes Bieger. I talked about my production process, my inspiration and my experience. It was a three hour masterclass and I showed all my knowledge about music production and created a track from scratch. When the masterclass went online, people left a lot of misogynistic comments just because I was a woman. Some of them were so bad that the company decided to intervene and remove them. This made me understand we still need to do a lot. 

 

Thank you for sharing that. We're towards the end, so I wonder, looking ahead, what can the fans expect from your forthcoming album and future projects? I mean, you've already mentioned some exciting things you're working on, but are there any other things or directions or collaborations you're excited about that can already speak to us about?

 I can’t really say more about my upcoming projects because I like to surprise you guys. As you know, on July 4th I released my new single ‘Origami’, which is the second track of my upcoming album with noted./Sony Music. There are still a lot of songs that are going to be released in 2024, and collaborations as well. 

And then you will be soon able to discover more about my V/A show ‘Partenope’, so don’t forget to join me on August 15th in Sardinia. 

TEAM CREDITS:
talent ANFISA LETYAGO
photography DANIEL SARS
stylist MAREK BARTEK
hair WIARDI KOOPMEINERS
makeup ANFISA LETYAGO
stylist assistant LINDA SCHREINTER
editor-in-chief TIMI LETONJA
location LYNK&CO

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